225 E. 2nd Street, Suite 303, Davenport, IA 52801     Phone: 563-324-1410
Conference Schedule/Workshops              Conference Faculty                        Registration Form
 
2008 David R. Collins Writers’ Conference
June 25, 26, 27  
St. Ambrose University, 518 W. Locust St., Davenport, Iowa

In 1973 David R. Collins founded the Mississippi Valley Writers Conference and continued as its chair until his death in 2001.  In 2006 the Board of Directors of the Midwest Writing Center brought back to the Quad-City area a national writing conference.  Because of it's success, we are offering again in 2008 this unique learning opportunity.
       
Conference Sponsors:







Modern Woodmen of America


Illinois Arts Council
   
Sam's Club Foundation St. Ambrose University English Department
   
Member of the Writers' Conferences & Centers http://writersconf.org/cal/index.php
   
Conference Schedule - This will be the daytime schedule for each day  
8:30-10:00 a.m. Creative Non-Fiction and Writing to Inspire  
10:15-11:45 a.m. Journaling to a Memoir and A Recipe for Writing for Children  
11:45 a.m.-12:45 p.m.   Lunch  - June 26  Special Author Luncheon  $12  
12:45-2:15 p.m. Writing Popular Fiction  
2:30-4:00 p.m.  Seeing Up Close: Reading and Making Poems and Freelancing for the Fiction Writer
4:15-5:45 p.m.   Short Fiction and Discovering the Story: Writing the Personal Essay  
     
6:30-8:45 p.m. June 25 and 26 
From Aliens to Zombies: The A-to-Z of Writing and Selling Horror and Science Fiction
     
7:00 p.m.  June 25---Panel of successful local authors-"Everything You Ever Wanted to Know About Agents".  This will take place at the Midwest Writing Center and is free to all conference participants.  7.p.m.    
7:00-9:00 p.m.  June 26—Faculty book sale, signing, and readings by both faculty and participants at the Midwest Writing Center  
6:00-8:00 p.m. 

June 27—Conference Awards Reception at St. Ambrose.  A ticket is necessary.

 

Conference Fees - Go to the Registration Form  
Early Bird Registration - register before June 14  

$50 for one workshop, $135 for 3 workshops, $175 for 4-6 workshops

 
After June 14  

$60 for one workshop, $150 for 3 workshops, $200 for 4-6 workshops

 
     

June 27-Conference Awards Reception free with full conference registration otherwise $12 per person.

 
     

Rooms--$30 per night

 

Workshop Descriptions  
     

A RECIPE FOR WRITING FOR CHILDREN  
Connie Heckert
Take one kid character and add a problem he or she can solve. So how hard can it be to write for children? This class will be based on the interests of the participants. Fiction and Nonfiction Picturebooks, Chapter Books, Novels . . . information and class content will be personalized as much as possible to answer, inspire and motivate. Overheads, power point presentations and examples from personal work and others in the field will supplement class content.

     

From Aliens to Zombies: The A-to-Z of Writing and Selling Horror & Science Fiction  
Mark McLaughlin
This two-evening workshop will cover the A-to-Z of writing and selling horror and science-fiction stories. Participants are encouraged to bring their own stories for discussion and review. Topics covered will include: plotting your stories; character development; overused ideas to avoid; markets for selling stories; the 'how-to' of selling a story; cover letters; and editor etiquette - interacting with editors.

     

Freelancing for the Fiction Writer     

Felicia Schneiderhan
"Freelancing for the Fiction Writer" will connect literary techniques with the business of freelancing, giving a broad, experiential overview of forms, craft, and how to get your work in print.

     

Discovering the Story: Writing the Personal Essay"   

Felicia Schneiderhan
This workshop will focus on the nuances in form and content in the personal essay, one of the most popular forms of literary writing today. Participants will complete a draft of a personal essay in class and begin a rewrite. This is an intensive workshop, and writing between classes and preliminary reading is required.

     

Writing Popular Fiction    
Susan Carroll and Kimberly Cates
This course will cover the craft of writing novels that sell. Topics to be discussed will be honing your manuscript for submission to publishers, finding the right market and ways to make your story grab an editor’s attention. We will also cover the importance of plot, characterization and how to pack more suspense and emotion into your novel.  

     

Writing to Inspire   
Twila Belk
Words have the power to change lives. They can offer hope, encouragement, and help. They can stimulate people's minds and stir their souls. Words can make people laugh, cry, and see things from a different perspective. In the Writing to Inspire workshop, we will discuss how to go about it; how to write effectively to have the most impact; where to come up with material; the different markets; and resources. Of course, there will be plenty of time for questions.

     

'Short Fiction'   
David McFarland
We will cover all aspects of story writing, from  the initial conception, the writing and revision process, to marketing the completed manuscript.

     

Journaling To A Memoir   
Joanne Wiklund
The use of Themed Journaling can help writers focus their thoughts about their life or the story they want to tell. Whether a writer is telling a personal story or someone else¹s, journaling can be the portal to promising work on memoir. In this class, we will discover the difference between autobiography and memoir, and use journaling to encourage ourselves and others. Preserving stories for families or the whole world is important to our society and to ourselves. Join us as we explore the world of journaling and memoir.

     

Creative nonfiction 

Dr. Ann Boaden

It’s a hot genre in writing workshops today because it lets you borrow methods from other art forms to communicate real life!  In this workshop we’ll explore why writers move from fiction and poetry to creative nonfiction, and what they take with them when they do. We’ll look at some of the forms creative nonfiction is assuming these days—memoir, immersion journalism, personal essay among them—and give you plenty of chances to experiment with your own creative nonfiction.

     

"Seeing Up Close: Reading and Making Poems"   
Rebecca Wee

These workshops aim to help you generate new work.  Part of that process will involve reading  and discussing poetry by established poets, and we will also discuss interpretation, revision strategies, ways to get your poems into the world, how to contend with writer's block and other writers' questions you may wish to raise.  But the focus will be on bringing new poetry to the page.